BEGIN:VCALENDAR VERSION:2.0 PRODID:-//wp-events-plugin.com//7.3.1//EN BEGIN:VEVENT UID:149@whiteemotion.com DTSTART;TZID=Europe/London:20190601T193000 DTEND;TZID=Europe/London:20190601T230000 DTSTAMP:20190426T211147Z URL:https://whiteemotion.com/events/av-set-at-sonic-electronics-iklectik-l ondon/ SUMMARY:AV set at Sonic Electronics @ IKLECTIK\, London DESCRIPTION:Tickets and information of the evening\n\n \;\n\n\n\n \ ;\n\nIklectik Art Lab presents SEF Sonic Electronics Festival\n\nInternati onal Live AV Performance\n\nChris Speed / Blanca Regina / Alessandra Eramo / Slow Slow Loris\n\nTickets\n£8 ONT\n£5 online\nhttp://iklectikartlab. com/tickets/\n\n19:30 - 20:00 Doors\n20:00 – 20:40 Chris Speed\n20:40 – 21:20 Blanca Regina\n21:20 – 22:00 Alessandra Eramo\n22:00 – 22:30 Slow Slow Loris\n\n\nChris Speed\nChris Speed is a London based audio-vis ual artist and daily graphics programmer. His creative practice explores d econstruction as a tool for expression through circuit bent devices\, dega ussed videotape and code. Computer music is the other main passion in his life\, being an experienced VJ for many international labels and collectiv es. He is currently studying a master’s degree in Computational Arts at Goldsmiths\, University of London.\nChris proposal is for an iterative 10- 15 minute AV piece performed at The Glove that Fits in Hackney\, Sister Mi dnight Records in Deptford and for an upcoming show at the Amersham Arms o n March 19th. This performance entitled Soniscope is a technological exper iment to encode visuals into music which can be viewed on analogue or\ndig ital oscilloscopes. Chris uses a Microsoft Kinect to 3D scan objects such as skulls and mannequin heads then sonified the process into sound using a n openFrameworks based\napplication called OsciStudio. This is used in com bination with a Kaoss Pad and guitar pedals to make Noise/ Techno /Drum &a mp\; Bass.\nhttps://vimeo.com/198734112\n\n\nBlanca Regina.\nBlanca is an artist\, teacher and curator based in London. Her research and practice is heterogeneous and encompass expanded cinema\, free improvisation\, graphi c and moving image\, photography and performance art. She has performed wi th various artists\, including Terry Day\, Leafcutter John\, Beresford and Matthias Kispert and curated a number of events and installations in Lond on and internationally.\nhttps://whiteemotion.com/\n\n\nAlessandra Eramo\n In her “Solo for Voice and Electronics” Alessandra Eramo creates a col lage of hypnotic soundscapes and voices to move beyond sound into more vis ceral layers of poetic expression. Beat-boxing\, tongueclicking\, screechi ng\, hissing – in an immersive performance\, Eramo explores trance-like states in singing – Her extended voice forms abstract sounds\, crude noi se\, fragmented words\, and unknown languages\, interweaving a dynamic use of analog electronic instruments and pre-recorded sonic material. In refe rence to sound poetry\, the performance is both an acoustic and physical e xperience\, like a spiritual exercise shared with the audience.\nAlessandr a Eramo performs her new composition “Tracing South” released in April 2019 on LP on Corvo Records. A sonic enchantment where polyphonic singing \, repetition\, dissonance and overtones are pushing the listener out of t he comfort zone. Reflecting on the Mediterranean Sea as a human and spirit ual dimension\, but now also as a vast and silent migrant cemetery\, Eramo ’s work oscillates between the caress of tender melodies and the brutal energy of noise eruptions. Kindly supported by Musikfonds. Promotion of Co ntemporary Music. German Ministry of Culture and Media.\nAlessandra Eramo (*1982 Taranto\, Italy) is a Berlin-based sound artist and vocalist. She w orks with performance and other media such as installation\, video\, text\ , drawing and intervention in the public space\, exploring latent acoustic territories of the human voice and Noise as socio-political matter. She h as exhibited and performed widely at festivals and institutions including: Liminaria/Manifesta12 Palermo\, 6th Thessaloniki Biennale of Contemporary Art\, Tempo Reale Festival Florence\, Heroines of Sound Festival Berlin\, Tsonami Festival de Arte Sonoro Chile\, PACT Zollverein Essen\, Roulette New York\, Audiorama Stockholm\, Italian Pavilion in the World/54th Venice Biennale. Alongside her solo work\, she has collaborated with many acclai med composers\, choreographers\, artists and poets a.o.: Maria Iorio &\ ; Raphaël Cuomo\, Zorka Wollny\, Brandon LaBelle\, Noha Ramadan\, Ines Le chleitner\, Doug Van Nort\, SJ Fowler\, Gabriel Dharmoo\, Irena Tomažin\, Tomomi Adachi\, Seiji Morimoto\, and Marta Zapparoli.\nwww.ezramo.com\n\n \nSlow Slow Loris\nSlow Slow Loris use voice and electronics to search for the intersections where melody meets noise\, emotional meets avant-garde\ , feminine meets industrial\, non-rhythm meets accuracy\, and raw meets cr aft. They released their first album\, From Monster till Mourning on Staal tape\, their second one\, Of Heroes in Helium on Cloister Recordings\, and are looking forward to the upcoming release of their third album\, Outsid e the Royal Room. They have toured in western and eastern Europe\, Russia and the USA.\n“The animal slow loris is an endangered species. It is bel ieved to be the gatekeepers for the heavens and is used in traditional med icine to ward off evil\, but a slow loris is continually seeing ghosts\, t hat is why it hides its face in its hands.”\nhttp://www.slowslowloris.co m/\n\n\nPart of SEF Sonic Electronics Festival\nhttps://sonicelectronicsfe stival.org/\n\nBorns with the need to create a place where to combine DIGI TAL ARTS with ANALOGUE DEVICES and it is interested in showing processes o f technological evolution.\n\nWithin computation the term DIGITAL\, and it s contrary\, ANALOGUE\, are frequently used to denote the difference betwe en a numerical-digital and a physical model and help to separate out theor etical abstract computation from any particular concrete computational\, a nd thus material\, iteration.\n\nSo\, SEF has as a reference the use of CO DE as an original TECHNOLOGY for making MUSIC. It enjoys the DIY and HANDM ADE spirit which ARTISTS\, MUSICIANS\, CODERS\, MAKERS &\; HACKERS shar e. The activity fosters a community of tool DEVELOPERS and creative PRACTI TIONERS interested in supporting creative practice through DIGITAL and ANA LOGUE tools.\n\nThe festival also opens to OS / OH practices in a counter- laboratory and participatory process.\n\nSEF will present an EXHIBITION\, WORKSHOPS\, TALKS\, CONCERTS\, a PUBLICATION and a RECORD.\n\nWith the col laboration of Iklectik Art LAB\, SEF will set for many days as an experime nt that shows an exhibition\, workshops and concerts. With this hybrid for mat\, SEF wants to increase the audience experience and make them particip ant.\n\nThe Festival collaborates together with Chalton Gallery to present new media art exhibition\, with interactive works\, AV installations and the most advanced technologies in music with PD\, and the use of open soft ware.\n\nSEF also counts with the participation of POPklik\, a London base d collective in charge of the creative visual communication of the festiva l.\n\nClaude Heiland-Allen\, musician and software developer\, is supporti ng the development of the festival and gives support as well as technical and aesthetic advice.\n\nSEF is curated by Laura Netz\, curator\, artist\, and director of EAM elektronische-art-and-music\, a curatorial agency and record label\, altogether with a network of collaborators and artists who support and facilitate the event. 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